Thursday, December 31, 2009

Oh Hot Damn, This Is My Jam

Tomorrow, like a lot of Americans, I will promise to start off the New Year -- nay, the new decade -- by eating healthier, working out, and trying to lose the extra weight I've put on over the last two weeks of travelling around the country, eating authentic Sonoran style Mexican food, authentic Memphis Barbeque, authentic throwed rolls, authentic Steakburgers and seasonal specialty shakes, Christmas cookies, rum cake, party mix, bourbon fudge, and a lot of too much of everything at hotel breakfasts and airport food courts and office parties and nursing homes.

And, also like a lot of Americans, I will probably fall flat on my face with this promise.

But last night, I decided to give 2009 one last hurrah by cracking open one of my Christmas presents.

My parents love me.

It's Bacon Jam! Jam made from Bacon! Bacon you can spread with a knife! It's like they've found a way to make bacon EVEN EASIER to eat!!!

And it goes nicely with my plans for a Kevin-inspired "Pork is my Jam" tattoo.

And it scans nicely into a Flo-Rida parody:

Oh hot damn,
Bacon's my jam
Keep me partying to the a.m. . . .

It is not, however, aesthetically pleasing:

It looks goooooooood, right?

Yeah, I know. It looks like death vomit. Chunky, gelatinous, death vomit.

But here's the thing about jam: you don't need to look at jam when you eat it. Jam is best when it's in things like sandwiches, where its gelatinous. . .y. . .ness. . . .is concealed by bread and things.

For example, a grilled brie and bacon jam sandwich:

It is good. It is SO good. It has a delightful bacony/balsalmicy flavor. I plan on eating it on many, many different things in the New Year -- nay, the new decade.

Totally sensible and balanced things, of course. Like . ..celery. And Nutella.

Happy 2010, everyone.

Thursday, December 17, 2009

Top Chef: Reunited, and it feels pretty great, actually

(Hey, all you people who came by in the last week after googling “Why did Kevin sacrifice his integrity on Top Chef?” Here is the answer, and thanks for the fives of dollars you’ve contributed to my booze budget through your page views and unfathomable clicks on ads for belly fat solutions).

It’s reunion time, ladies and gents, and I have to tell you, I enjoyed this reunion. I think that’s mostly because the chefs—most of whom I’ve come to have a genuine affection for – seemed to be enjoying themselves. I feel like as much as I have genuine affection for them, they all have genuine affection for each other too, and that validates my affection.

It’s also, though, a lot because I was making my Great-Aunt’s world famous rum cake for our office party today. Look at this beautiful thing:

Isn’t that fucking amazing? Anyway, I was making the glaze for that, which is basically rum, butter, water, and sugar, and it smelled like hot buttered rum. And I thought “mmmmm. Hot buttered rum.” And so I made myself one. And I may’ve gone a little overboard with the. . .butter.

Yeah, that's right. I got all buttered up and watched the reunion.

I mean, I overdid the rum, too, but what did you expect? Me being tipsy is nothing new; the fact that my heart probably stopped about 12 minutes in is a first.

Anyway, before the reunion I just watched the last ten minutes of the finale, and I can’t get over how not only are Michael and Bryan crying, but Tom and Toby both look like they’re choking back tears too. I don’t know if they’ve ever done that before, and it just brings something home: as much as I occasionally bitched about being bored, I really did love this season. I kind of want to watch it over again and just relish it without thinking about anything but how much I like (most of) these people at the end of the day, and see how it feels different knowing that.

Ok, reunion time! That repellant little imp Andy Cohen introduces the event. How do I get his job? And how do I feed him to carnivorous shrimps, is the real question. Or become his new best girlfriend. One of those.

He introduces the judges, and asks when Padma is due. She replies “in the spring.” He also adds that unfortunately, Jessie can’t join us, which bums me out. I like Jessie.

Andy congratulates Michael and everyone claps. He asks how Michael plans to use the money. Michael, perhaps inevitably, answers that he wants to get a restaurant started, and he and Bryan are looking at doing something together.

You should also look at what Michael and Bryan are doing together: http://www.voltaggiobrothers.com/. Look at it. LOOK AT IT. You know you want to. . .

We look at a montage of Michael’s “wild ride to the title of Top Chef.” It opens with his quotation about how he decided to become a chef because Bryan was doing it. Then we see a lot of flashbacks of gorgeous food and swearing. Jen interviews that his plates are always the “most beautiful; always the most composed.” Then we see him win which . . . we just saw ten minutes ago. I kind of wish they wouldn’t do that – they’re never going to show the reunion without the finale right before it, so why do they need to show that much of the finale in the reunion?

Andy asks Tom what the finale meal came down to. Tom thinks Kevin had a rough night and they realized he was out of the running fairly quickly. He says that Bryan’s first two dishes were lacking in salt, and that’s pretty much what that made the difference.

Andy asks what it’s been like at their restaurants since the show. Bryan says business has increased 100%. Um, anyone who still needs to buy me a Festivus present can buy me dinner at Volt. Also a ten dollar gas card so I can fill my tiny blue car up to get my ass all the way to Frederick.

Andy asks about the high stakes quickfires, and who won the most. Kevin comes out on top, having won $45K.

Andy talks to Kevin about how he was bummed about losing restaurant wars. Kevin says that not choosing a leader bit their team in the ass. Andy says “I hear you considered taking yourself out of the competition after that?” Kevin says “it was a rough point for me because I felt like Laurine suffered greatly” because of his decisions and that put him in a position that “compromised my integrity, potentially.”

THAT’S IT? That’s the whole “compromised my integrity” thing that’s been driving people to my site by the dozen (no typo) for the last week? Bravo, Bravo, Bravo. You’re such a fucking tease.

Tom says he read somewhere that Laurine thought Jen should’ve been eliminated after restaurant wars instead of her. Laurine says that Jen bit off more than she could chew in the kitchen. Gail says that doesn’t matter as much to them as diners/judges as having a General Manager in front of house that couldn’t pull off communication. Oh, SNAP. Gail showed you, Laurine.

Andy reminds them that one of them will win $10K and the prestigious title of fan favorite; the winner will be revealed tomorrow on Watch What Happens.


Ok, that is some bullshit, Bravo. No way am I staying up until midnight and watching Andy Cohen’s dreadful masturbation fest of a talk show just to find out who fan favorite is. I have a plane to catch on Friday.

Andy asks the chefs who they think will win. Mike I thinks Bryan has it in the bag, and knows he doesn’t have a shot. Hee. It’s funny because it’s true.

A lot of other people think Kevin will win. Kevin thinks his beard will win. Kevin’s beard is a legend.

Padma thinks Jen has a good chance too, and Andy says “you did have so many people rooting for you, and it upset people when you went out.”

Jen montage! Ashley calls Jen a badass. Jen wins some quickfires. Jen throws a pillow at someone. We learn that she may act and talk like a guy, but she likes dressing up being a girl too. Jen wins an elimination.
Everyone talks about how awesome Jen is. HELL YEAH. Jen is awesome. She got all my votes for fan favorite, from both my home and work computers.

Jonathan from Grand Rapids calls the chefs negative nellies for second guessing their dishes so much. We see all the chefs badmouthing their own dishes and swearing. Ash, hysterically, says “AW I forgot FLAVOR!!!” like it’s an ingredient. There’s a LOT of swearing. We see Jesse, and I realize I miss the hell out of her. Some of the best quotations from the montage include Ash saying “I don’t know why people even hang out with me,” and Jessie moaning “I have embarrassed and disappointed everyone I know.” It’s pretty funny. Good montage, Bravo.

Andy asks Ashley why she’s so hard on herself. She says she’s a competitive person by nature. Toby says it’s a credit to them that they're so hard on themselves because it shows they know they can do better.

Commercial!

Back! Andy says that this season they were faced with the challenge of cooking for a group of legendary French chefs. Mike I says it was the most stressful and most rewarding experience. Kevin, who got to be at the dinner because he had immunity, would’ve preferred to be cooking than eating with them because he was intimidated and doesn’t speak French.

We get Kevin subtitles on the conversation at dinner -- they caption what Joel Robuchon is saying, and then show what Kevin thinks he said. It's cute, but the best part by far is this:


HA! .” It’s cute. Moreover, it features Joel Robuchon, who I love to death and beyond because he's so freaking adorable, and it gives me an excuse to use:

The MUSHROOM KINGDOM!!!!!! picture again. Oh, Kevin. Joel Robuchon doesn’t hate your beard. He’s not evicting you from your position as guardian of the tree trunk. He loves you. Joel Robuchon loves all of God’s critters.

Andy says they had some amazing guest judges this season. Tom says the chefs pulled through for them, and that it shows that she show has been embraced by the industry.

Judging montage! We get to see Wolfgang Puck throwing the doughnut again, which is awesome because I pretty much missed it the first time around (this is why I want to watch the show over again – to see moments like that without having one eye on the computer.

Andy asks if the judges are surprised when they watch the show to hear the chefs loving dishes they thought were horrible. Tom says he’s had the same experience, and Toby says it helps them realize how much pressure the chefs are under and how easy it is to make mistakes.

Danielle from Gainesville has a question for the judges: “who did you honestly think had the best overall food.” Food montage!

Dodging Danielle's actual question, Padma says that Vegas wins the prize for best chefs hands down. Tom agrees and says he hopes season 7’seven better. Mike I says “It’s not gonna happen.”

Ok, what the fuck. Maybe it’s the rum but I find myself kind of. . .liking. . .Mike Isabella.

Andy says he’s read that Ash thinks Padma doesn’t like him, and asks for a show of hands of who thinks Padma doesn’t like them. Jen Z, Ashley, Ash, Mike I and Eli raise their hands (but that might not be all; about half the chefs are cut off the frame). Andy says “OHHH” and makes the best face in the history of faces, which is a pretty long history, when you think about it, and which I have captured for you through the extraordinarily high-tech method of taking a picture of the television :


Maybe it’s the rum, but I’m beginning to see a point to Andy Cohen. Tom raises his hand too, jokingly.

Padma says that during the season, she only wants to know them through their food, but afterwards she’d love to get to know them more.

Tom tries to relieve the tension by saying that on the other hand Toby hates 16/17 of them and Gail loves them all. Hee. Tom’s in a really good mood tonight. I feel like he’s much happier with this season than he was with the last one. (Me too, Tom. Meeeee toooooo)

Andy asks who thinks they went home before their time. Mike I raises his hand and says he only had one bad dish. Hector was also angry when he went. Commercial.

Back! Sandra in Abilene wants to know if there were any scandalous romances this season. God, Sandra, way to remind us of that fucking atrocity in New York.

Anyway, Ashley says there was the one between her and Ash. Andy says “so you both changed teams for each other? “ Ash replies “it was tricky at first.”


I am having such a good time watching this show!

Andy says there was a lot of scandalous behavior even if it wasn't romantic. We see them drinking a lot. Mike I breaks some furniture. The guy chefs jump into a pool. They drink in the stew room. Michael and someone else fight over some cheese puffs. Mattin throws up in bushes and then strips to his birthday suit and gets into the hot tub. Mattin and Mike throw Jen into the hot tub, clothed.

A fan in CA asks them how they cook so hungover. Mike I says it’s part of life as a chef.

Erin in Columbia SC asks the brothers if it was harder to compete against each other than the other chefs. Michael says he knew going in that there was at least one good chef there, and planned on taking Bryan out earlier than he did.

Mike talks about how he’s worked with Marcel, Ilan, and Hung, and says that Hung and Marcel taunted him into going on the show. The producers recruited Bryan through Michael, asking him “does your brother own a restaurant called Volt? Can we have his phone number?

Andy says the Voltaggios have very little in common besides talent. Brother montage! It includes them swearing at each other and competing, and on a phone call with their mom where she tells them to PLAY NICE. They also show them loving each other: Michael shaves Bryan’s neck; Michael watches Bryan sleep; they laugh together. I tear up. IT’S THE RUM.

Andy asks Michael if he feels guilt about beating his brother. Michael says definitely, and that Bryan is his inspiration. Andy asks if they were always competitive. Michael talks about being grounded for harassing Bryan, and not allowed to watch ALF.

Because it’s still true and because I’ll probably never have an excuse to say it again: I WANT TO LICK HIM.

Enter Mom Voltaggio, aka Sharon Mangini! Oh my god, she loves the Italians, no? She’s married two of them. She says that watching her sons compete was as hormonal as Padma’s pregnancy. Andy asks who she was rooting for. She pleads the fifth. Tom jokes she was secretly rooting for Kevin because it would’ve been easier, and tells her she did an amazing job raising them. Kisses!

Mom V. says when the show started, she and Bob (I assume Bob is Mr. Mangini?) decided that if Bryan won, Michael would’ve gotten the Harley, but since Michael won, Bryan gets the fully restored 79 Corvette. Oh my god, adopt me. Please? I want to be part of a family where they have spare fully restored vintage Corvettes to pass out as consolation prizes . Sharon congratulates all of chefs, and leaves. I love her.

Commercial!

Is anyone else bothered by the fact that Leap Year the movie is coming out in a non-leap year? I just can’t get past that.

Back! Bill in Pierre SD has a question for Eli about why he lives with his parents and how it affects his dating life. Kevin defends his friend: “it’s not like Eli is some sort of shut in, living in his parents’ basement eating cereal at 3:30 in the morning.”

I want to know why eating cereal at 3:30 in the morning is such a bad thing, huh, Beardy Joe?

Kevin and Eli bromance montage. Eli describes them both as “rednecks with a slightly higher than average IQ.” Mike I says Eli is always talking about science, and asks “why you cooking? You should be doing my taxes.” Ok, that sounds vaguely anti-Semitic, somehow.

Andy calls them a nerd herd and Kevin says “it’s fun to be smart.” Then he laughs self consciously and says “ I’m going to put that on a t-shirt.” Please do, Kevin. I'd buy one. He says he didn’t go to MIT because “I’d be the coolest person at MIT, and I just wasn’t ready for that yet.”

Mike I has big news: he got married at the end of the summer. His wedding was featured in the Washington Post’s attempt at being the New York Times’ wedding page, for those of you who don’t live in the area. He thinks this proves he’s really a nice guy. Yes, because no douchebags have ever gotten married. Padma says “what, you think you come off as not a nice guy?” In defense of Mike I, Tom says people just don’t understand people from Jersey.

A Mike montage, which Andy titles “Nobody’s Bettah Than Me: the Mike Isabella Story.” It’s tiresome. Obviously. Eli says that Mike I has “every single individual flaw you can think of in a person.” We see him wearing a douchey hat and laughing.

(Speaking of douchey hats: I tried the President Obama burger at Good Stuff this weekend, and it is Oh My Fucking God orgasm delicious. And my toasted marshmallow shake had the most delicious flavor of toastedness. My fries, though, still had way too goddamn much thyme on them, but I can't complain too much about that since Spike was so freaking nice to me that I feel ridiculously guilty for comparing his beard to ungroomed pubes)

Andy asks Mike I where he got his self esteem. Mike I says that it’s a motivational thing. Laura in Boston asks Jen how she could be friends with a sexist like Mike I. Jen says that Mike is an extremely nice guy who doesn’t edit himself before he speaks.

Oh god. She could be describing me right now. Note to self: never go on a reality TV show. Everyone will think you’re a dick.

Andy says that they got a lot of e-mails about Ashley’s peeve about the bachelor/bachelorette party and why she was ok with the subsequent military challenge. Ashley says she was surprised that stating the obvious about her feelings was a big deal, and that she felt like it was her responsibility to say something when asked head on. That’s your responsibility, yes. Storming through the house pitching a fit about it is not.

But then she turns me around again by saying “Getting married in Vegas is as Vegas as showgirls are. And if two showgirls want to get married, they oughta be able to.”

That’s awesome. There’s your t-shirt, Bravo.

Mark in NYC wants to know if Robin ever stops talking. Tom points out that she hasn’t said anything all night. Robin talking montage.

Robin says that it’s been exaggerated. Mike I says it hasn’t. Robin says it’s how she processes things. John in Atlanta wonders why no one acted like an adult and just asked her to be quiet for awhile. Robin says that was her question too.

Andy says it seemed like Mike I really had a beef with her. Mike says he didn’t have a beef with her; he just didn’t talk to her. Robin says she had no beef with him because he was honest and told her how he felt.

Everyone hates Robin montage.

Uncomfortable silence. Robin says it felt like high school. Toby asks if she felt bullied; she says she felt like a convenient scapegoat.

Bernard from Hartford asks “why was Eli so mean to Robin? Robin is inspiring, not someone who uses her lymphoma as an excuse.”


BULLSHIT. Bull. Shit. Way to change your name to "Bernard from Hartford" for the purposes of that e-mail, Robin, because you are not inspiring.

Anyway, Eli pusses out and says he regrets the comment about her winning the quckfire, that he made it in the heat of the moment, but he hasn’t apologized. Michael says that all of his interactions with Robin were kitchen based, and he appreciates the mothering quality she brought to the house (by which he means she cleaned the kitchen every day?? Sharon, please come back out and give him a smack upside the head for that one), and that she gave it back as much as she got dealt it, and he thinks she’s phenomenal for that. Robin passive aggressively says “that’s nice of you.” UGH, the look on her face:
Stop being such a fucking martyr, lady.

Eli apologizes for any “terse interactions they’ve had.” She says that means a lot. Vomit. I actually think he looks worse for that moment and how reluctant and insincere it was than for all of the asshole remarks he made all season. Andy jokes about how he’s shocked by the apology because can’t get two housewives to apologize to each other. Commercial!

Back!

Andy asks if they ever forget the cameras are rolling. Montage! Bloopers! Michael V. drops something on the floor and actually calls the 5 second rule. Padma chair dances. Everyone shoots each other looks while Preeti spends 90 minutes shucking clams. Tom asks showgirls if they need fries with that shake. Tom says “you suck!” in a vampire voice.

Derek in Greenville SC wants to know what it was like serving Padma breakfast in bed. Kevin says it was slightly awkward. Mattin asks if that was the day she got pregnant. Padma says “I did eat a lot of huevos, but no.” Adorbs.

Andy congratulates Michael again, and everyone claps. Andy congratulates them all for an incredible season and sends them all home with a bottle of Quickfire wine and reminds them that one of them will be revealed as fan favorite tomorrow.

Which is the end of the reunion, officially, but we get some “never before scenes” during commercial breaks on Launch My Line. Bonus scene 1 is Mattin’s wild birthday night where he throws up in the bushes. But I’ve SEEN that. In fact, I saw it less than an hour ago, during the reunion. You bastards. How is that never before seen? Oh, Bravo. You cock tease.

Bonus scene two: Ash can’t stomach Mattin’s birthday cake. He thinks it’s offensively bad. Michael goads him into eating a piece, and he can’t get it down. This is. . .not exciting.

Bonus scene three: Mike I yells at Mattin for disrespecting him and says he doesn’t like it when people talk shit. Pot? This is kettle. You're black. And boring.

And that’s it. That’s the reunion and the. . .exciting “never before seen” (except for when it was seen twenty minutes earlier) bonus footage, and the whole freaking ball of wax. So goodnight and Happy Hanukkah, Merry Christmas, and Happy Festivus to you all, kittens. I’ll be travelling until the 29th, but I may check in before then. If I don’t, I’ll see some of you when I get back, and more of you when Project Runway starts in January, and the rest of you. . .whenever season seven or the Pastry Chef edition starts. Whichever comes first.

Tuesday, December 15, 2009

Ad-verse reaction

Between the crappy weather on Sunday, and the fact that there was a Snapped "Best of 2009" marathon on Oxygen (and at some point we’re going to have to discuss my irrational love for that show and what bogus criteria they used to determine which episodes were “best,” and for that matter, which of them were “of 2009”), and the fact that I was/am maybe/kinda having a head cold that I’d like to nip in the bud before I launch my 11 day, 3 city, 6 airport Christmas Tour 2009 on Friday, I watched a fair bit of TV on Sunday. And this led me to realize:

I hate – I really, really hate – a lot of this year’s holiday commercials.

Now, I’m not talking about ones that I hate in the typical holiday commercial way of “holy god, that’s cheesy,” or “holy god, that’s potentially offensive.” I’m not even talking about the ones I hate in the “how corny. Why is this salty substance coming out of my eyes?” way.

I am talking about the ones that just drive me straight up freaking crazy. The earworm jingles. The lame series. The ones where you find yourself thinking “how the fuck is that supposed to make me want to buy anything?”

After extensive reflection, I have identified five that I hate the most. Please, let me share them with you. Starting with:

5. The creepy Kay Jewelers ad at the cabin:



There isn’t a whole lot I can say about this commercial that hasn’t already been said by the authors of the other 5,120 results on google when you search for “creepy Kay jeweler commercial.” But it’s not like that’s ever stopped me in the past.

So the dude lures the girl out to an isolated cabin in the middle of a thunderstorm, says some ominous shit about how he’ll always be there, gives her some crappy jewelry, and sexes her up. Clearly, this is not actually a jewelry commercial. It’s Act IV of a horror movie. It’s intercut with scenes of her ex and her best friends (one black, one blonde, one gay), back in the city figuring out that Cheryl’s new boyfriend is actually the notorious Pendant Killer, who gives women tacky necklaces, then sexes them up and kills them. They get in the car and race off into the storm, while Stabby McMallShopper chases poor Cheryl around the cabin, trying for his post-coital kill. After driving off the road and having to run through the woods to the cabin for the obligatory fight scene, Cheryl is saved by her wounded ex; Stabby and the black friend are dead; the blonde friend is clinging bravely to life; and the gay friend makes the obligatory mood lightening joke as he calls 911 and the police and MedEvac arrive to cart the blonde and the bodies away.

Fade out on Stabby’s not-quite-dead hand clenching shut around the cheap ass Love’s Embrace pendant on its broken chain. He’ll be back next Christmas for Pendant Killer II: Matching Earrings of Doom.

Really, though, the main reason this commercial creeps me out is because the guy reminds me vaguely of Jeremy Sisto. And between Clueless and Six Feet Under, I can’t see Jeremy Sisto as anything but creepy and molestery. That’s one of the reasons I never watch new episodes of Law & Order anymore. Thanks a heap, Jeremy Sisto.

4. The Marshalls/T.J. Maxx Carolers.



Not only is this an annoying little earworm, but it’s made of lies. You can’t get “the same gifts at better prices” at Marshalls and T.J. Maxx. You can get the gifts you wanted to buy at department stores last year at better prices than you could’ve gotten them then, but by now no one wants those gifts anymore, and it’s too late.

3. Overstock.com



I know this isn’t really a new ad – it’s their original Christmas ad that they’ve gone back to after a year or two off. And part of me is relieved that they dropped the last series of ads, with the country singing couple who seemed to own some sort of restaurant and treat all their patrons like family or something? Because not only was the plot of that one unclear to me, the song had the unfortunate side effect of making some sort of salty substance come out of my eyes.

But I just hate this commercial. I hate the whole song, but I really hate the part where she goes “ho, ho, ho, the big, big, O.” We get it. Shopping on Overstock.com is orgasmic. That was pretty clear from the time you stripped naked and said “sometimes the O is all about the gold.” We didn’t need you to spell it out for us. Especially not at Christmas. Keep your clothes on.

2. The SuperModelquins series from Old Navy.



I freaking hate the SuperModelquins. I hate them so much. I mean, in the first place, it creeps me out that they occasionally take off their limbs or get their heads turned around backwards. Is that supposed to be cute? Well, it’s not.

And then there’s the whole serialized nature of the ads. Very few companies can pull off a series of ads with a through-storyline well (the old Folgers crystals series is really the only one I can think of). But the SuperModelquins series is particularly bad at it. For one thing, half the time it’s serialized and half the time it’s just them doing some sort of talk show or something?

Which makes the storyline – such as it is – really hard to follow. I mean, Heather and Josh were engaged, and then she was wearing a tankini and everyone thought she was pregnant, and then she said something melodramatic about needing new jeans and I think that meant that they broke up? And then she and the squeaky voiced girl went to New York, and it seemed like everyone else followed them? And Josh is still around, but he’s always the butt of the joke, getting his head turned backwards and generally acting the fool?

WHAT????? And is Heather supposed to be the lead of this series? Because frankly, I’ve found her altogether bitchy and unlikable from the first. I hope this isn’t heading for some sort of Christmas reconciliation, because I’ve come to believe that Josh, dumb as he is, is way too good for her.

(And that’s really why I hate the SuperModelquins – because somehow despite hating them from the first time I saw them, they’ve somehow managed to confuse and bewilder me to the point that I’m now somehow invested in the emotional lives of these stupid, creepy mannequins)

And the number one commercial driving me bonkers this year:

1. The Gap Kids Commercial. You know the one:



So let me begin by saying, I am not entirely immune to the charms of this commercial. First of all, these kids are pretty talented, and that’s always good. Second, my ovaries are not sufficiently steel plated for me to resist the adorable moppet-y-ness of these . . .moppets (especially the blonde who does the eyes thing. Please, can I keep her? I’ll dress her cute and she’ll have my back in bar fights).

And also, I’m entirely sympathetic to the desire to wear your cute new sweater and skirt on Christmas rather whatever itchy velvet and lace Jessica McClintock number your mother has selected for you and your sister to match in. Oh yeah. I remember.

But it loses me on several counts. First, the screaming. Why, children? Why must you scream? It annoys me so.

Second, “talk to the Moose.” What the fuck does that mean? Is that a saying? Do people actually say that? And whether they do or not, why the fuck would you talk to a moose? Even if a moose could talk, is he really going to give a shit about whether you get to wear your comfy sweater or are stuck in your girly dresses? Is the moose going to say “heeeyyyy, Mr. and Mrs. Smith. I know you had those matching velvet dresses picked out for the girls, but they really have their hearts set on wearing their comfy GAP kids sweaters.” No. Absolutely not. The moose is going to say “bitch, please. Like I care what you wear,” or maybe “yo, Mrs. Palin, please don’t shoot me.”

TIMELY.

And third, the sheer earworminess of it. Oh, god, it will never leave your head. I’ve been thinking about writing this for days, but didn’t do anything about it until one of them woke me up at three in the motherfucking morning. Can you guess which one?

Yep. That’s it. One! Two! Three! Four! Not gonna wear it anymore!
Someone, please. Just put me out of my misery.

Thursday, December 10, 2009

Top Chef: Congratumalations, Michael! SQUEEEEEEE!

Wow, nail biter much?
Emotional finale
“Goofus” wins Top Chef

Here’s what I have to say, and really if I had to limit this post to two sentences, it would be this:

I was right. It is good to see the schlub of the family win for once.

But fortunately (or not), I don’t have to limit myself to two sentences, so you can all buckle yourself in for the usual six or seven (or, erm, nine) pages.

The first part of which will be: it was so good, in fact, to see the schlub of the family win for once that I may actually have cried a little. Just a little.

And I’m SHOCKED by my own reaction. Shocked. I don’t know that I’ve ever been this happy for a person I’ve never met, no matter how badly I wanted to lick their sternums.

I mean, yes, I’m always happy when the person I want to win wins. I was happy for Stephanie. I was happy for LeAnne on Project Runway. I was ecstatic for Harold.
But I was never surprised when any of them won. I knew it was going to be a squeaker between Stephanie and Richard, and I knew that with Tom’s irrational ginger crush on Tiffani, a Hosea style injustice could manifest itself (although at the time, I didn’t have a term for Hosea style injustice, having not yet been exposed to the dreadful injustice that was Hosea).

I did not for a second, not even up until the very last, not even when Padma said his name (especially after that epic fake out with Kevin, which they’ve NEVER DONE BEFORE), think that Michael was going to win. And I had no idea just how badly I wanted him to win until he did.

And now I’m crying again. So I should just get going with this thing.

For those of you who still hate Michael, can I at least point out that there’s a bonus? NEVER AGAIN will Hosea’s jacked up mankletoothed grill and lame ass fist pump be the last thing we see in the opening montage of winners. And we’re moving on up to something soooooo much prettier.

Oh, and one last warning: it was kind of hard for me to write this, because my stomach has been completely jacked up for three or four days now, and nothing about food sounds good. Nothing. I’m all about bland things right now, so a lot of the times when I would normally have been going “OM NOM NOM NOM NOM,” I’m currently going “oh god, that sounds like torture.”

Even Kevin’s dessert, with all the bacon. I wouldn’t want to go anywhere near it right now. That’s how bad my tum is.

Morning! As the sun rises over the Meritage resort and spa, Kevin brushes his teeth and says he’s pumped to be in the final three. He reflects that he has the best record (5 eliminations), but Bryan’s technique is amazing and Michael is the most inventive and creative.

There’s some playful teasing, where they wonder what Jen is doing and Michael says “too bad it wasn’t Bryan.” It’s the kind of statement that could make you think he’s a cocky asshole. . if Bravo had figured out a way to edit out the facts that he’s totally kidding and his brother is right there taking it good naturedly in stride. Michael reflects that Bryan hasn’t won a quickfire, which has to be frustrating to him. Bryan is excited to see which Voltaggio is the best chef.

They roll out to the Rutherford Hills winery where pregnant Padma and Tom await them. Padma tells them it’s time to find out who will win $125K and the title of Top Chef.

Tom tells them that their final challenge is kind of the usual: like all the previous seasons’ finalists, they’ll cook a three course meal. But. . .there’s a twist. For the 1st course, they’ll get a box filled with identical ingredients, and must use each ingredient in the box in their dish. This will test their creativity.

For the 2nd course, they can make anything they want with any ingredients they find in the kitchen. This does the usual finale thing of showing their philosophy and style. And for their 3rd course, they MUST make a dessert.

This is so they don’t end up with another shitty winner like Hosea who coasted past better chefs by making another meat course that trumped their desserts.

I love these changes. First, the different courses are nicely designed to test different aspects of their skill sets. Second, in the sixth season, it's about time they threw in some sort of complication. "Cook the meal of your life" has gotten just way too predictable.

Tom reminds them that this meal can make their career.

Then Padma announces that they’ll have a little help. ALL the ousted chefs show up with a knife block. Each of the finalists will get two sous—one to prep with them tonight and one to cook with them tomorrow.

Michael says that there are a couple of names that if he pulled their knife, he’d probably just slit his throat with it. Heh!

Kevin draws Preeti , which worries him because he doesn’t know that her skill set is strong. Erm, based on her utter fuckwittage at shucking clams in the first quickfire, I think he’s probably right. Bryan gets Jennifer. He’s pleased, naturally. Michael gets Jesse, who’s now blonde. He says she’s a workhorse. Yay – I really liked Jesse (plus, she had fucking fierce legs), so it’s nice that the other chefs also have a good opinion of her.

They draw for their second round. Kevin gets Ash. Tree trunk dwellers, reunited! Bryan gets Ashley. Michael gets Eli. And every single one of them pretty much explodes into happy smiles that they DIDN’T get Robin. Kevin is jealous of his other two competitors because they got the people he’s most familiar with (Eli and Jen).

Tom reminds them that between the 3 of them, they’ve won 12 out of 13 elimination challenges. But. . .there’s one more to go.

They get 15 minutes to plan with both sous at Cyrus restaurant. They open their boxes, which are full of fish, crabs, mushrooms, crab, and anissiso. Bryan thinks the ingredients seem kind of obscure to meld together, and Michael mutters “we have to use all of that in one dish?”

The day 2 chefs leave, and the day 1 chefs stay for three hours of prep. Bryan says that Ashley comes in guns blazing and is a darn good cook. Bryan did pretty much get the dream team in terms of sous. Michael says everyone’s pretty frantic at this point, and he’s all over the place with ideas on the mystery box. Kevin says Preeti is mostly just cutting vegetables for him, and she’s having a hard time with that. He says he has 20 items on his prep list and Preeti’s doing 2.

Bravo really needs a sad trombone sound effect to underscore how lame Preeti is.

One hour left! Bryan is trying to stay focused because he thinks this isn’t the time to try new things. Michael reflects on how Bryan is more conservative than he is, and says that he has “a tendency to just do whatever I want.” Um. . . .I told you so.

Bryan doesn’t think he’s playing it safe; he’s thinks he’s playing it smart.

Preeti is still cutting vegetables. Kevin doesn’t feel like he can rely on his sous chefs. Bryan feels really good about who he has on his team. Well, he should. He got Jen and Ashley. I like the randomness of drawing knives from ALL the chefs for sous, but at the same time, it lead to a really uneven match up. Commercial!

Back! Next day! Kevin and Bryan discuss how to share out the kitchen, and Kevin reflects that he’s lost a lot of prep time to being pissed off at Preeti. Bryan feels confident. At this point, I notice that Bryan now has tattoos on one of his forearms, which I don't remember from the rest of the season. Has hanging out with his little brother been a bad influence? Michael still has no idea what he’s making for the mystery box course. He says this is the first time he feels anxious.

A knock on the door! They all tense up, thinking that it’s going to be a curveball – an extra course, or no sous, or something. I thought so too, frankly – personally, I thought they were going to take away their three good sous and give them Robin, Jen Z. and Hector instead.

BUT IT’S THEIR MOMS. Oh my God. Oh. My. God.

So I am of two minds on this. My first instinct is to go “SQUEEEEEEEEEEEEEEEE IT’S THE MOMS!!!!!” But my second instinct is to kind of feel like this is a jump the shark moment: Top Chef has finally gone to the family place. Ugh, how cheap. What is this, Survivor? The Bachelor? Project Runway? Is Jeffery going to show up and call their moms fat and passive aggressive? Because I just can’t take that.

But I quickly return to SQUEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE IT’S THE MOMS!!!!!!!!! as Mom Voltaggio buttons her boys into their chefs’ jackets and reminds them that no matter what happens, they’re still brothers. . .and best friends. And then I cry a little.

Shut up. I know I’m lame. But seriously – that was the sweetest goddamn thing ever (and yeah, I could write you another seven pages just on the cultural dynamic of Mama V basically telling them that family always comes first, but none of us need that right now).

Mom Gillespie tells Kevin to “Be the real you. Be the real Kevin.” And says she thinks he has everything it takes to beat the Voltaggios. And then I cry a little more.

They head over to Cyrus, where Tom awaits them. Bryan once again thinks “here comes the twist.” But no—it’s their dads!!!!

Just kidding. This time it actually is the twist. Tom tells them that in honor of their moms being there, they’ll add a course. It will be served first, and must be inspired by their favorite childhood dish.

Three hours! Bryan reflects on how his parents divorced at an early age, and his mom was the master of one dish meals to keep the family eating together around the table. His first course will be a play on Tuna Noodle Casserole. I write “Burf” in my notes, and that’s partly a burf of “burf, food sounds awful right now” and partly a burf of “burf, I hate tuna noodle casserole even when I feel fantastic, which I don't.” Michael is doing a broccoli puree because he hated vegetables as a child. We see lots of adorable little Voltaggio pictures. And then my ovaries explode, and I have to patch myself back together before I finish writing.

Then we see adorable chubby teenaged Kevin pictures. His first course is going to be Chicken and Fixins, in honor of his Southern background.

We get more background on their courses. Bryan is sous vide-ing the fish for his mystery box course. Michael is poaching it in butter and creating “a scavenger hunt of flavor.” That. . . .I can’t decide if that’s an awesome way to phrase something, or just ridiculous.

(although I do plan to steal it if I ever have to clean a chicken again. “I’ve created a scavenger hunt of feathers and shafts,” is what I’ll say)

Kevin is cooking the fish in duck fat, but has problems with the tough mushrooms. He’s pleased with Ash, who is working out much better than Preeti. Granted, that could be kind of like saying “hey, Jersey Girl was a much better J-Lo film than Gigli,” but whatevs.

Michael’s third course is going to be a squab with textures of mushrooms. Kevin’s is slow roasted pork belly (even that doesn’t sound good right now) because “Pork is my thing. . .that’s my jam.” When my tummy gets back to normal, I may have to get “Pork is My Jam” tattooed on my bicep.

Bryan’s third course is venison because he hunts to be more in tune with his ingredients. Oh, Bryan. Hunting. Tu vuo fa l’americano, si?

Michael’s dessert will be a chocolate caramel coulant and textures of pumpkin. Kevin is doing a roasted banana and chocolate bacon mousse. My brain says “nom?” but my tummy can only say “burf.” Bryan’s is sheep’s milk and white chocolate dolce de leche cheesecake.

They scurry around plating, and Kevin reflects that it’s anyone’s game at this point. “It’s a crap shoot” he says, forgetting they’re not in Vegas any more. Commercial!

Back! The diners enter and Padma thinks the moms for coming and apologizes in advance for the critical things they’ll say about their sons. Mom Voltaggio says she lives in Vegas and knows where to find Tom. And I tear up a little again, because of all the nice, sweet mom things that get said in this episode, THAT sounds the most like something my Mom would actually say.

The Chefs come out and introduce their first courses. Padma introduces the diners: Tom Colicchio; Gail Simmons; Toby Young; Douglas Keane; Bill Terlato; Donatella Arpaia; Stephen Starr; Drew Nieporent; and Sam Nazarian. And, of course, their moms, Kathy and Sharon, who only get the first course.

Ok, that is CHEAP BULLSHIT, Bravo. You drag their moms all the way out there – and bear in mind, you’ve saved on airfare already because you’re only flying out two moms for three contestants – and you’re not letting them stay for the whole meal? Bastards.

Kevin presents his Southern Fried Chicken Skin with Squash Casserole and Tomato. Mom says it’s delicious. Bryan explains his Tuna Casserole inspired Sardine, German Butterball Potato, Heirloom Tomato and Panko Bread Crumbs. And Michael has made a Cream of Dehydrated Broccoli, Fried Broccoli and Spot Prawn, which he prefaces with a long story about what a picky eater he was and how his mom once gave him a trophy for eating his vegetables for a month. AW.

Tom says Kevin’s squash is so complex it’s like tasting wine. Mom Gillespie says Kevin has never served a dish to her she didn’t like. Toby Young says that Bryan’s dish reminds him of his dad’s sardines and toast. Donatella says there’s not enough acid, but Mom V. likes the panko. Some people think Michael’s spot prawn was undercooked, but Donatella liked the broccoli and loved the story behind it.

Padma then turns to Mom Voltaggio and asks “did he really hate Broccoli that much?” Mom Voltaggio takes a long pause which is punctuated with a few knowing nods, and says – kind of heavily – “Micheal hated everything.”

See? I told you. That boy is an expert in BREAKING HIS POOR MOTHER’S HEART.

Padma then asks her which of her sons’ dishes she liked better. Mom pleads the fifth. The moms then leave through the kitchen. Mom V is worried about how her boys are feeling and just wants to “scoop ‘em in. Like a mother duck.”

Sniff.

Kevin’s mom wants him to show the world what a southern boy can do “how you can take simple food and turn it into something fabulous.” Augh. Alright, I’m sorry: I’m sick of everyone acting like doing simple food as fine dining is something new and different. It. Has. Been. Done. To death. I’m not saying it’s not a good and worthwhile thing to do, or that I don’t LOVE that kind of food myself. But stop acting like you’re starting a revolution.

The boys come back out with their mystery box course. Kevin has made a Pacific Rockfish, Roasted Squash, Crab Broth and Roasted Matsutake Mushroom. Bryan’s is a Rockfish Sous Vide, Kabocha Squash with Curry and Meyer Lemon. Michael has used his ingredients to prepar a Dashi-Glazed Rockfish, Sweet and Sour Crab Salad with Squash and Meyer Lemon.

Donatella thought the broth was the star of Kevin’s, but didn’t care for the mushroom. Terlotta felt like he needed a hatchet to eat the mushroom. Someone –either Sam Nazarian or Stephen Starr compares Bryan’s to “a blind date you don’t want to go on. Everything is bland” but the other one says his fish was the best cooked. Gail thinks his dish was safest. Tom thought Michael’s combination of Meyer Lemon and squash was amazing. It was Douglas Keane’s’s favorite dish.

The Chef’s choice course is next. Kevin has celebrated his love for pork by making Slow Roasted Pork Belly with Brussels Sprouts, Broccoli and Caramelized Ham Jus. Bryan has made Venison Saddle with Purée of Sunchokes and Orange Juniper Sauce. And Michael’s is Fennel-Scented Squab Breast, Pistachio Cassoulet and Textures of Mushrooms.

Padma points out that no one can say this course of Bryan’s is underseasoned. Drew Nierporent says it was perfect and Tom thinks it showed a lot of work. Someone thinks Michael’s squab is excellent. Donatella finds his mushrooms – which have been pureed and then reformed into mushroom shapes -- gimmicky. They seem to like Kevin’s sauce, but think his pork belly is undercooked.

Back in the kitchen, there’s a little bit of dessert drama as Michael realizes that not only has Eli overfilled his cake pans, but Michael himself has overcooked them. Gulp.

They head in to present their desserts. Kevin’s is a Roasted Banana, Toasted Peanut with Chocolate Bacon Mousse and Bacon Brittle. Bryan’s is a "Dulce de Leche" Cheesecake with Fig Sorbet, Poached Pear and Basil. Finally, Michael’s is a Chocolate Caramel Coulant, Butternut Squash Brûlée and Butternut Ice Cream. Ok, can we add to the list of things I’m kind of sick of on Top Chef “’rustic’ little blobs of ice cream”? It’s getting played out to the point where it’s just as passé as a traditional scoop.

(in a joke no one but others who grew up in Arizona will understand: I’m rooting for someone to bring the squared off ice cream scoop from Thrifty Drug into vogue. Whatever, though – anything but those stupid, slug like blobs)

Starr complains about Kevin’s that while he knows it’s the thing, he doesn’t want pork in his dessert. Tom thinks the banana was not enough. Starr loves the pumpkin seeds on Michael’s but Keane thinks the cake is dry and needs more fat. Tom thinks the caramel has reabsorbed too much from sitting. Gail loves Bryan’s fig sorbet, and they all agree that the cake was pleasant.

Padma thanks all three of them for a great meal. Kevin liked the food he served tonight. They all hug. Bryan feels like his dishes today expressed the philosophy of his food. Michael feels like he didn’t do as “good as he could’ve.” In other news, his grammar isn’t as well as it could be either. Commercial.

Back! The chefs are in the Napa stew room. Kevin thinks Michael and Bryan both had a good night but his execution is seamless. Bryan felt good about his food and is confident and excited. Michael is nervous about his dish. They go to judges table.

Wait, that was the fakeback? That sucked. It just repeated the last fifteen seconds of the previous segment, almost verbatim. Lame.

Back! Judges’ Table. Because Gail and Tom are sitting next to each other, I notice that they match, prom style – she has a purple dress, he has a purple shirt and tie. Adorbs.

Bryan tells them about his mystery box course. Toby thought the fish was well cooked, but didn’t find that there was enough contrast, and says that the hallmark of Bryan’s dishes is restraint—everything’s well executed, but nothing feels bold. Gail was happy with his venison, and Tom says the flavors were great and it was his most successful dish.

Moving to Kevin, they ask about his first dish. Padma tells him it had a lot of flavor. Tom compliments the complexity of the squash. Padma asks about the pork dish. Because of Kevin’s dedication to pork, Toby expected the dish to be an absolute knock out, and it wasn’t. Tom thinks it could’ve been taken a step further by putting a roasted piece of pork with the dish.

Padma asks about Michael’s mystery box dish, and Toby says he loved the Matsutakie mushrooms and the pickled tomatoes. Tom thought the fish was well cooked, and the dish had many layers of flavor. Michael then admits that he overcooked the cakes. Toby says he liked the pumpkin seeds. Gail agrees that the cake was really dry, but the flavors were great and it was almost a great dessert.

Padma asks each of them to tell her why they deserve to be Top Chef. Oy, I hate this part.

Bryan says that his dishes showed a lot about his style and what he believes food is. Michael replies that he just doesn’t want Bryan to be Top Chef. There’s a lot of laughter. Oh my god, he’s so adorable.

Growing serious, he tells them that “food is me,” and that it’s how he expressed himself, and he’s never gotten a paycheck for anything else. He loves what he does.

And I want to lick him. Wife or no wife or whatever, I just want to eat a giant plate of his food and then lick his neck.

Kevin says that loves food and its ability to bring people together. He hopes his food is soulful and speaks to who he is.

Padma dismisses them. Michael says none of them are completely stoked about what they did, but Kevin says “I know you don’t want to count your chickens before they’ve hatched,” but that if he was a betting man, his money would be on Michael.

Wow, really? Because at this point in the show, I pretty much felt like Kevin was or at least should be out of it, but just assumed that with him out, Bryan would win. To me, based on the diners’ comments and what the judges said, it sounded like Kevin took the first course, Michael took the Mystery Box course, Bryan took dessert and the brothers kind of had a close race on the Chef’s Choice. But it did sound – to me – like Bryan had the edge. And, of course, I was still assuming that they’d never let Michael win.

The judges discuss the first course. Kevin’s was the most interesting to eat. Bryan had a good idea but Tom says it was bland . However, it was Toby’s favorite. Tom didn’t like Michael’s either.

They move on to the mystery box. Tom says that Michael used the ingredients better than the others and was more imaginative. Toby says Kevin messed up the Mushroom but the broth was good. Gail said that Bryan’s had no highs or lows, but also had no texture.

For the third course, Gail couldn’t find a flaw in Bryan’s dish. Toby thinks it was the strongest thing Bryan did, but not as memorable as Michael’s squab. They know Kevin is capable of more than his pork belly.

Finally, we reach dessert. Tom is bothered that Michael didn’t make his dessert right and knew it, but Gail—who kind of sounds like she’s choking up a little – says it had great flavors; Toby didn’t like Kevin’s dish and Tom didn’t think it was a complete dessert. He liked Bryan’s, and Gail calls it restrained, subtle, and sophisticated.

Oh, it is such a brother race. Commercial!

Oooooooh, first ad for the reunion. I’m dying to know why Kevin says that he had to compromise his integrity.

Another commercial reminds me of something I’m really going to miss about the season. I’m sad that we won’t get to see the Top Chef ads where Michael and Bryan duel and Michael’s weapon is a rolling pin.

BACK!!!!! Padma reviews the prize money. Tom says the season took them from the glitz of the Vegas strip to the sterile beauty of wine country. He then assesses their strengths. Bryan delivered a stellar roster of well constructed dishes and a great dessert. Michael put together amazingly creative dishes that reached high and often delivered. Kevin showed them that southern food is about more than biscuits and gravy.

Padma says “Kevin. . . “ and my heart drops and my lips start forming the words “you’re fucking kidding” and I prepare to throw something at the TV. Because as much as I would’ve been ok with him winning before this challenge, his work tonight was clearly below par.

But Padma finally follows up her deathly long pause with “you are not the Top Chef.” And I exhale and drop the shoe I'm poised to fling at the screen.

Kevin says it sucked that one bad day ruined it for him, and he’s proud of making it this far and of losing to people as good as the Voltaggios. His mom tells him he did a good job and kisses his bald spot. Aw.

Tom tells the brothers it’s been a pleasure to watch both of them and says it’s got to be emotional for them to be the last two standing. They nod woodenly. Oh my god, Bravo editors, I love you so much for that cut. Bryan says he can’t think of a prouder moment. Michael agrees.

Padma says. . . .Michael. . . .is TOP CHEF!!!! Oh my god. Oh my god.

The brothers have a big long hug. Michael is more proud of the fact that he and Bryan made it to the end than he is of winning. He wishes both of them could have won.

Mom V comes in and cries and hugs Michael first for a long time, and then she hugs Bryan. And Michael does the tear wiping thing that guys do, the one where they kind of dig at their eyes like they’re a little mad at themselves for crying, but still defying you to go ahead and try to judge them for it, and says “there’s the emotion you’ve been waiting for, Padma.”

Bryan’s disappointed in himself, but proud of his little brother. The other chefs come in and cheers them. Michael hugs Jesse, who I still barely recognize from being blonde. He says it’s been a strange process, but it’s been worth it because it got him in touch with who he is as a person and a cook.

And that’s the end of the episode, with no previews of the reunion to tantalize or infuriate us. So for now, I get to go bed just extremely, extremely happy.

Congratulations to all three of the finalists – you all turned it out in a big way, and you’ve really washed away the sour taste of last season’s finale.

But especially congratulations to Michael, the 6th Top Chef.

I still want to lick you.

Tuesday, December 08, 2009

Guido and Gallant, or How I Learned to Stop Worrying and Embrace the Fact that I Love Both Voltaggios

Just so you’re warned, I’m probably going to make some potentially offensive cultural generalizations here. And I feel ok about that, because it’s my culture.

So I was at work reading some of the other Top Chef related blogs, because I was bored, and reading my own blog is too much like masturbation – which is fun sometimes, but I try not to do it at work.

Anyway, as I was looking through the posts and the comments, I started to notice a recurring theme: Everyone Hates Michael Voltaggio. Gawker says “Mike Voltaggio wins the Quickfire challenge and thus a Prius, proving also dickheads drive Priuses." Max the Girl runs with the recurring Voltaggio Bros. = Goofus & Gallant theme by saying "Gallant looked exactly the same, because steadfast consistency is one of his most Gallant-like qualities. And Goofus asked his stylist to make him look like a contestant on Chef Academy. Unfortunately, she misunderstood and made him look like a contestant on Tool Academy."

And the commenters on All Top Chef voiced a near universal dislike of him. "Second off, I think Michael Voltaggio is a jerk. I think he is cocky and annoying.” “I'm all for Kevin winning, but now it's also turned into as long as Michael loses. Bryan has become very likable the last few weeks, especially when he chose to help Kevin rather than let him flounder during the previous episode.” “His food might be wonderful but I would never go to his restaurant because of the bad behavior I've seen on the show

Which first made me think. . .what the fuck show have you people been watching? Cocky? Of course he’s cocky. He's a chef. I may’ve met one chef in my life who’s not cocky (and bear in mind, one of my dearest friends went to the CIA, so . . .let’s just say I’ve met some chefs). Yeah, he’s said in interviews a couple of times that his food is better than Kevin’s. But honestly, do you think any of them haven’t said and/or thought the exact same thing? Because for reals, yo, if any of them DON’T think they’re the best chef in that competition, they’ve got no business being there.

And bad behavior? WHAT bad behavior? As far as I can tell he 1) Yelled at Robin. ROBIN. Which caused his older brother to snipe about the way he ran a kitchen, yes, but if a single one of you can tell me that a) Michael’s treatment of Robin was worse than Eli’s or Mike I’s, and b) you wouldn’t yell at Robin under similar circumstances. . .you’re lying. Sorry. That’s all there is. And 2) Bryan helped Kevin and speculated that Michael might not have. So that’s not even Michael’s behavior. That’s Bryan hypothesizing about Michael’s behavior.

I mean, if we want to talk about the great pantheon of Top Chef bad behavior. . .people held down a really small dude and threatened to shave his head, folks. People watched that happening and laughed. People punched lockers and got up in each other’s faces during fights in the stew room.

Michael? Doesn’t even rank in terms of bad behavior.

Ok, he does come across a little more confrontational, rough around the edges, and headstrong than the other three of the final four chefs. But we’re talking about a group of people who I’m literally convinced are all just visiting from Joel Robuchon’s magical mushroom kingdom, and can probably get chickens to voluntarily behead themselves and hop into a pot just by gently singing "Kumbaya" to them, that’s how goddamned nice they all are. The elves from the Rice Krispies box seem more confrontational, rough around the edges, and headstrong than that bunch.

I don’t want this to sound like I’m anti-the other chefs. I’m not. As of today, I will be happy with any of them winning. I just don’t understand why everyone else in the world seems to be anti-Michael. Or really, I didn’t understand why I was the only one who was still pro-Michael.

Or, really, why I was the only one who didn’t seem to have a problem being both pro-Bryan and pro-Michael.

“Is it because,” I mused to myself, “perhaps I am the only one on earth who can see through the Bravo editors’ clumsy attempts to impose a good brother/bad brother narrative on this otherwise fairly drama-free season, and discern the truly nice nature of both guys?”

Oh, Kitten,” I tsked (because sometimes when I talk to myself, I call myself Kitten), “you are giving yourself way too much credit. Really, it’s because it’s a good brother/bad brother dynamic you’ve been culturally conditioned to respond to both parts of.”

“Why, whatever do you mean?” I demanded. And then I saw one of the screen caps The Minx had up of Michael, in his skin tight t-shirt and his backwards baseball cap and his. . .chain. . .around. . .his. . . neck. “Oh,” I said, understanding. “Oh dear.”

It wasn’t just good brother/bad brother. It was a bit more. . .ethnically charged than that.

Let me explain myself. The Voltaggios, I’m assuming, despite their Aryan good looks, are at least part Italian-American, right? Voltaggio. That’s an Italian name. Let’s check the World Name Profiler to be sure (and because it's fun!):

Yep. Highest concentrations in America and Italy. Anyway, and I’m going with “part” Italian because. . .well, largely because of their Aryan good looks. Unless they’re 100% polentone, there’s no way they’re full Italian.

(Polentone, by the way, means polenta eaters. It’s what Southern Italians call Northern Italians, in response to being called terrone, or dirt eaters. Because we may be poor enough that we have to eat dirt, but god help us, at least we don’t eat polenta. Ulch).

So I would wager that they’re from an ethnic background not unlike my own. Some Italian. And some of something else to lighten up the hair. And some of something else to give Bryan those symmetrically handsome Anglo features and the dorky laugh.

So they're part Italian, and fairly assimilated, which is more common than The Sopranos and the Real Housewives of New Jersey would have you believe. This is in no way to discount the segment of the population that has lived in insular Italian neighborhoods and married people from those neighborhoods for generations, but there are at least as many of us who were raised by parents and grandparents who weren't allowed to have their ears pierced because "that's what immigrants do," and weren't allowed to learn Italian because it was so important to their parents that they become americani.

And so "success" is defined as becoming Americanized. The "good" son (yes, usually the elder son) is the one who achieves the most in American terms. Education. Money. Owning your own business. Losing the accent. Think Dartmouth student/War Hero Michael Corleone from the first half of the first Godfather. The "bad" son is the one who makes trouble, stays blue collar, runs around with the wrong girls (or boys) and generally finds a variety of ways to break his poor mother's heart.

And yes, I know that this dichotomy is hardly specific to Italian-Americans, and yes, I know that it's not even exclusive to assimilationist families. But I do believe that these are situations where it gets more. . . pronounced. Or maybe more pronounced in a specific set of ways.

Look, for example, at Bravo's own other pair of Italian-American brothers: the Manzos of the Real Housewives of New Jersey. Albie, the elder, is a college graduate who's heading for law school, and the subject of endless conversations about how good looking he is. Christopher (pronounced "Christuhfuh"), the younger, is regarded by his family as a loveable screw-up. He works in the family business (his brother teasingly refers to this as going to "the University of The Brownstone") and aspires to run a combination strip-club and car-wash.

He is, not to put too fine a point on things, kind of a schlub. And I kind of love him for it.

Now that I've taken you on this long dance, you're asking "so what in hell does this have to do with the Voltaggios, lady?" So I'll tell you.

Bryan is the ultimate, assimilated American good brother. I mean, look at him. You can't get any more American than that. Symmetrical features, bland good looks. He's practically a Ken doll for chrissakes--he might as well whip off his chef's jacket and reveal a chest with no nipples.

He's got the formal education --an AOS from the CIA. He's got his own restaurant. He's even got a good guy, All American name: Bryan. You can't get much more assimilated than Bryan.

He's embraced the American idea of the pastoral. I mean look! He has chickens!

He's a family man with a beautiful wife and an adorable son who he mentions approximately once every 7/10ths of a second.

He refers to his son as "my boy," and he's teaching him to play baseball.


Seriously, it's like Norman freakin' Rockwell in the 21st century.

And Bryan still lives near his hometown. Michael, on the other hand, lives all the way on the other side of the country, in Los Angeles, which I'm sure is just one of the myriad ways in which he is breaking his poor mother's heart.

Another one of those ways, I'm sure, is the tattoos.
"Oh my gawd, Michael! The tattoos! Why would you do that to yourself? What will people think??"

His education is less formal than his brother's --an apprenticeship program rather than a degree. His work background seems a bit less stable than his brother's -- we know from the Pigs & Pinot episode that Bryan was with Charlie Palmer for years while Michael was there for. . . a year. And he's got a really good position, but let's face it: he's still working for someone else. It's not his name (or an abbreviation of his name) over the door.

He's good looking -- oh, dear, is he good looking -- but not in the same smooth, symmetrical, classical. . . americani way as his brother. There's still a little bit of a twist to the nose (this is probably the other reason I like him -- we're kind of nose twins). There's a definite pout to the lips. The brow is noticeably heavier. And he comes across as kind of a dangerous, macho asshole.
Hell, he sells himself as a dangerous, macho asshole. It's not like he got all those tattoos by accident ("Ma! I sweah! I tripped and fell onna the guy's needle. . . repeatedly! An' it just came out as this design!"). But you've got to look at two things here: first of all, chances are that if your brother was so squeaky clean he reminded people of a doll who's smooth down beneath, in comparison, you'd probably look like a dangerous, macho asshole too.

Second of all, think about your own siblings. Think about the number of ways you define yourself in opposition to them.

Chances are, if you had a golden boy, permanently successful, squeaky clean, smooth down beneath brother, you would work pretty hard at being the tough, cynical, arrogant, dangerous, hard living, testosterone fueled "bad" boy.

If he's nice, you're going to be naughty. If he's cautious, you're going to be reckless. If he pours oil on the troubled waters, you're going to set that oil on fire, every chance you get.

If he's into sustainable organics, you're going to be into sophisticated American cuisine that combines modern technology with classic techniques. . .ok, maybe that one's a stretch.

But if he's the stable, reliable, family man, you're going to be the volatile, irresponsible, not tied down. . .
. . .oh wait. That's right. Michael has adorable children too. But for some reason we've heard about them exactly once this season, whereas we've heard dozens of soundbites about Bryan's dedication to his wife and "boy."

We don't know what his situation with their mother (or mothers) is (or was), but because we only hear about the kids, and only once, and because of who we're led to believe Michael is -- both by Bravo and by his own design -- we're allowed to believe the worst (dangerous arrogant weekend dad who hasn't grown up himself), or, at the most benign, the delusional and bittersweet (weekend dad is dangerous and arrogant because he hurts so much because he's missing part of his soul. I CAN FIX HIM.).

But we have no evidence that that's the case, do we? He could easily be just as happily married as his brother. In fact, I found one blog where it seems like a bunch of his wife's friends showed up to let the blogger know that OMG he haz a wyffe you internet hussy and u r lam 4 crushing on him and shud git a reel man!

(I have no other evidence of a wife, though, so we can all hold off on committing internet hari-kari)

In fact, we don't know much about Michael at all, do we? We know all about Kevin's religious Lenten vegetarianism and Ashley's girlfriend and Robin's cancer and Eli's. . .living with his parents, but the only thing we really know about Michael is that he is aggressively, emphatically NOT his brother.

Which (long dance, people!) brings me back to my initial point. The reason I love BOTH dangerous asshole Michael and smooth down beneath Bryan is because they appeal to what part of me -- the assimilated Italian-American part of me -- wants, but in different ways.

Bryan is the nice, successful, completely assimilated americani. And Michael -- let's face it -- Michael is still a bit of a Guido.

A stealth Guido, mind you, one who you wouldn't immediately recognize as such because of the blondness and the not wearing of track suits or Italian flag t-shirts, or nicknaming his abs "the Situation." But a bit of a Guido, just the same.

And as such. . . .a bit of an asshole. Is he more of an asshole than Danny from Season 5 or Joey from Season 3? No way. But he's an asshole in some of the same ways, and he's been around longer, and he's got the talent to back up the swagger, which I think is why a lot of people find him so infuriating.

And that's why I love them both. The Italian grandmother living in my head thinks that Bryan is such a nice boy and so successful. That's the part of me that's horrified by the way the ladies on Real Housewives of New Jersey behave.

The part of me that is longing for an excuse to flip a table, Theresa Giudice style? The Italian 16 year old living in my loins? She thinks that Michael is exciting and dangerous and would provide an excellent opportunity for breaking our poor mothers' hearts.

I don't think he has a chance of winning --not because I don't think he's at least equal to the other two in terms of skill, but because again, we don't know anything about him except how very much he is NOT LIKE BRYAN. In other words, he's had just enough "character development" from the show for so many people to buy into him as the season's cardboard villain, and not enough to have anyone really rooting for him.

Anyone but me, that is. Because while I'll be happy for whoever wins, I'll be happiest if Michael wins. No, it's not really logical, no matter how many pages I've just spent trying to justify it.

It's just that sometimes it feels good to see the schlub of the family come out on top.

So come on, Michael. Do it for Christuhfuh. Do it for Sonny (Corleone, not Corinthos. Don't ever do anything for Sonny Corinthos). Do it for Fredo, if you have to, or hell's bells, kid, do it for Cain, or for G.O.B. Bluth, or for Beaver Cleaver, or for Peter and Bobby Brady (because you know those two had to have been a constant source of disappointment).

You go out there, son, and you win one for the Goofi.

Monday, December 07, 2009

Jordan Baker is still ---OH MY GOD, STILL-- reading the Sandra Lee Semi-Homemade Magazine So You Don't Have To

Hi, poppets! It's that time of the every-other-month again!

So the December/January issue of the Sandra Lee Semi-Homemade magazine arrived the day before Thanksgiving. Which, on the one hand, was the worst timing in the world, because I was travelling from the day after Thanksgiving until Tuesday evening, and so between all the driving to Southern Maryland and the flying to St. Louis and the partying for a 95th birthday and the driving to Memphis and the flying back to DC, and then Wednesday being Top Chef and the feeling like poop. . .I just didn't have the time until this weekend's SNOWPOCALYPSE to sit down and blog about it.

But on the other hand, it was perfect timing, because it meant that I got to read it on the airplane to St. Louis. And really, I have to dope myself up so much to fly that the Sandra Lee Semi-Homemade magazine is about as much of a mental challenge as I can take.

This is either the final or the penultimate issue of my subscription to Semi-Homemade. I seem to remember signing on for seven issues, which means I should get the February-March issue for next year as well. Either way, it's made me somewhat reflective.

Because honestly, this magazine has sometimes been great and sometimes been purely awful. And sometimes it's been purely awful in a wonderful way that allows me to make fun of it. And sometimes it's been purely awful in a boring way, that has me calculating from the moment I crack the cover how many glasses of White Hall Cabernet Franc (Mr. Jefferson made some damn good wines, yo) I will need to make it even remotely interesting.

I have had a glass and a half this evening. And I have been cooking Beef Braised in British Beer for the last four hours, and smelling it throughout my house, so forgive me if I occasionally say nonsensical things like "that actually looks good to me."

So you open the magazine and the first thing you see is this:

. . . which is only notable for the EPIC pair of mom jeans Sandra is sporting. She actually looks cute until right below the boob line, and then you realize just how unkind time and gravity and shitty fashion sense can be to even the most liposucked of bodies.

1) Behind the Scenes Gives us a look at the goings on behind the scenes of last year's holiday special, you know -- the one where she totally molested that poor turkey. It's totally unremarkable.

Our usual 2) Letter from Sandra contains the typical insanity. She talks about how "Last night was the first snowfall of the season," and given even my limited knowledge of magazine production and how long before the issue arrived at my house they would've had to put this issue to bed, I know she's lying. She also continues her weird co-opting of the Kennedy-Cuomo kids to make her seem like EveryMom, referring to them both as her "little ones" and her "three weekend daughters." She also tells us that "Christmas is like a true love. No matter how many Christmases we are blessed to have in our lifetime, there will never be enough."

Vomit.

And she manages to work in a plug for her "four one-hour Christmas specials, Sandra Lee Celebrates, airing November 28, December 5, December 12 and December 19."

The fact that even with my near catastrophic levels of TV watching, I've missed all mention of these until now shows how under-hyped they've been. Anyone seen them? Any thoughts?

3) Let It Snow is the usual pictorial spread of shit you can buy.


This issue, the theme is snow! Snow shaped bowls! Snow shaped cake molds! Snow shaped cookie cutters! And, of course, the ubiquitous apron. . . which is just ugly. I'm sorry. There's no way around it. I am a sucker for vintage aprons. That shit? Is ugly.

Next we have our favorite, 4) Shortcut Chic! It's the feature where Sandra shows us how to save time by. . .frosting fruit with spray adhesive and sugar! Which is not even remotely cheaper than buying plastic frosted fruit, and about ten times more wasteful to boot since now you can't even eat the fruit.

You can also give your guests "favorable fortunes" by presenting them with fortune cookies dipped in candy and studded with dragees.

She makes a point of saying the dragees are "for decoration only; the FDA classifies them as non-edible." Now, in the first place, that's patently untrue. I have eaten many a dragee in my time, and I am just fine, thanks. And in the second place, if you DO believe it, you're giving your guests a pretty shitty gift, aren't you?

Then there's a perennial Sandra stand-by, the "tower of treats"

or as I prefer to call it, the fauxquembouche. See, it's like a croquembouche, only shitty. She's done this in the past with donuts; this variation (if you can even call it that) requires you to stick meringue cookies into a Styrofoam cone. Which is totally a short cut from just putting your meringue cookies on a plate.

There are more. Put your flowers in a vase with beads. Glue sparkly sticks to the outside of your candle holder. Put Hershey's kisses into apothecary jars. It's endless. Let's just go on to the food.

First we have our 5) Five Money Saving Meals, where Sandra recommends five ways to raise your family's cholesterol over the course of the week.

This week your family will be eating: Orange Beef and Broccoli Stir Fry (frozen vegetables and round steak); Chicken Thighs Provencal (resting on a bag of Simply Potatoes red potato wedges); Fish Tacos with Lime Slaw (Gorton's fried fish fillets in tortillas); Ham and Bean Soup (canned bean soup with ham added); and Pork Loin Chops with Cinnamon Apples and Green Onion Potato Cakes.

I've included a picture of the last option because -- and here's where you start to think I'm losing it -- I actually think the Green Onion Potato Cakes (made from refrigerated hash browns) look kind of good. But in all honesty, you could put sour cream and green onions on anything, and I'd think it looked fantastic. More evidence of this later.

You also get ideas for 6) 20 Minute Meals. You get three of these -- Broiled Salmon with Orange Couscous and Spinach, Blue Cheese and Pear Salad; Hot Brown Sandwiches with Parmesan Ranch Steak Fries; and Smothered Rotisserie Chicken with Citrus Green Salad. They seem to be offering these in place of the "from one semi-homemaker to another" feature this issue. What, weren't enough people dying to have their recipes considered? Didn't you all submit your recipes? Why aren't you holding up your end of the bargain, minions?

Sigh. Moving on.

In her continuing quest to inflict slow cookers on the world, Sandra shows us how to make 7) Brisket to Boast About.

It's actually two recipes for Brisket -- Beer Beef Brisket au Jus and Beef Brisket with Roasted Vegetables -- and two other slow cooker meat recipes -- Cappuccino Pot Roast and Burgundy Lamb Shanks

Next, for some inconceivable reason, Sandra has done a holiday cookie exchange with the Rockettes and called it 8) Sandra and the Radio city Rockettes Sugar Plum Cookie Swap.

Surely there should be an apostrophe in there somewhere? Or a colon? Something?

Anyway, as ridiculous as the idea of a cookie swap with the Rockettes is (both because the Rockettes themselves are ridiculous and because a bunch of dancers are not necessarily the first people I'd go to for cookie swapping ideas. Unless they were like JC from my college ballet classes, and had an awesome recipe for bulimic brownies iced with melted Phillips Chocolate Chews), I can't really mock it too much. And there are two reasons for this:

1. None of these recipes are even remotely Semi-Homemade. The Rockettes, for all their collective cheeziness, are good honest cooks. these cookies are homemade. They are not made from cookie mix with extra extract added, like Sandra's cookies, nor are they made from cake mix like Creepy D's Cookies of Seduction. They are made from flour and sugar and other nummy, nummy things. So yay Rockettes!

2. The first recipe is for Rockette Jacey Lambros' "Chocolate Surprise Bon-Bons," which are basically peanut butter balls dipped in melted chocolate. It is almost the same recipe as the old Chocolate Salty Balls I made in college, except that recipe was written in the margins of a GRE study book, which I have long since lost. So thank you, Rockette Jacey Lambros for restoring this to me.

9) Snowy Sweets is a bunch of cakes and candies and things. . .all in white. And all, returning to Sandra's formula, made from cake mix and pudding mix and frozen nondairy whipped topping. My favorite is the "Ornament Cake Bites."
They're made from Betty Crocker's butter pecan cake mix and coated in something called "pearl edible luster spray." Doesn't that sound delicious? Oh, I remember when I was young and we used to sit around eating edible luster spray in the days leading up to Christmas. . .

10) Sandra's Sparkling Seven is the list of products she's shilling this time. It's the usual suspects. Cake Mix. White Cranberry JOOS. That spray cake icing -- which, I just have to tell you, is CRAP. Do not eat that shit. And so on. And so on. And on the facing page there's another reminder about Sandra's holiday specials. You know. Just in case you've forgotten in the last fifty pages.

11) Kimber's Heirloom Easy takes on "Simplified Stroganoff." The second least surprising thing about the feature is that Kimber cuts the ingredients in the Stroganoff from 17 down to 9, replacing shallots, garlic, flour, salt, and eggs with. . . .gravy mix.

The least surprising thing is that Sandra can't even let Kimber have this to herself anymore.

See? We've had bad pictures of Kimber, and we've had good pictures of Kimber. . .but now Kimber's not even getting her own picture anymore. Sandra's horned in on it.

Then, for some reason, there's this:

The Semi-Homemade Caramel Brownie Dessert. I don't know why it's there -- there's no "heirloom" counterpart to it where you make the brownie and both the sauces from scratch, but for some reason it's still part of that feature.

And yet, I'm not going to mock it. It looks good. It looks damn good. I would eat the hell out of that.

Let's see what Sandypants has planned for Christmas dinner, shall we? Oh, look! It's a 11) Merry Christmas Meal!

So because Christmas is a family event, you'll want to start with two drinks: Mimosa Sunrises and Bloody Marys. And then for your dinner, there will be Herb Crescent Rolls (Pillsbury Crescent Rolls with herbs on 'em); Creamed Spinach Gratin (frozen spinach and cream cheese); Cranberry-Dijon Baked Ham (ham with cranberry sauce, mustard, and maple syrup); and Loaded Twice-Baked Potatoes (twice baked potatoes stuffed with sour cream, bacon, cheddar, and green onions).

I cannot tell a lie this close to Christmas: I want those potatoes. In a bad, bad way. I am a sucker for a twice baked potato.

For dessert, there is a lemon coconut cake (boxed cake, lemon curd, coconut) and. . . oh, christ, seriously? It's the Doughnut Hole Christmas Tree. Another fauxquembouche. Two fauxquembouches in one issue.

That ALMOST makes up for the fact that. . . .THERE ARE NO RECIPE CARDS. Almost.

Of course, after Christmas, we'll have a 12) Sparkle & Shine New Year. Or, if you read it as it's laid out on the page, a Sparkle New & Shine Year.
The menu is Asian-inspired: Beef and Veggie Lettuce Wraps; Steamed Pork Dumplings; Hot and Sour Soup; Zesty Chicken Skewers; and a Bubbly Coconut Cocktail. It's not entirely clear why there's an Asian theme, though. I almost want to think that she's trying to make a connection between New Year and Chinese New Year, but. . . oh, I don't know. It all makes my head hurt so much.

It's cocktail time! The best time of day! This issue we're celebrating with 13) Crystal Clear Drinks and Colorful Canapes.

I'm going to restrain myself from making too many cracks about the cocktail time! offerings, since I made the brie stuffed mushrooms from the last issue. And they were goooood.

But anyway, we have a White Christmas Cosmopolitan and accompanying Mocktail. And then there are Rosemary and Black Pepper Boursin Stuffed Tomatoes, which are exactly what they sound like. There is a white cranberry Cape Cod, which is the real cocktail name for a vodka-cranberry, but in Sandra's version it also has lemon-lime soda, which may be just for the sake of having the corresponding mocktail (because if it's just vodka-cranberry, then the mocktail is. . .plain ole' cranberry JOOS).

Then there is a Spicy Ham and Cream Cheese Spread. remember how I said I wasn't going to make fun? Yeah, that doesn't extend to recipes that require you to mix chopped ham, bell pepper, and onions into a package of cream cheese, and then mold it into log form and top it with pepper jelly.

But really, that recipe makes fun of itself.

The final canape is "Little Pigs in Puff Pastry," which just makes me wonder if "Pigs in Blankets" is trademarked or something. And then there's a Champagne Cocktail (champagne, vanilla vodka, and white cranberry JOOS) and a corresponding "Sparkling Mocktail (white cranberry JOOS and sparkling white grape JOOS).

14) Winter Wonderland is another "stuff you can buy" spread. It's all rhinestone napkin rings and beddazzled coasters, and it's kind of depressing. But it leads into the Tablescape feature 15) Winter in White, which features many of the same items and is equally tacky and unremarkable.

What can save us from this ennui? Oh, I know! Our usual "things you can do with a _______" feature! And this time, we get a TWOFER!!

The feature is called 16) A Gala of Glassware, and it gives us ideas of things we can do with glasses.
First, wine glasses! You can put beads and flowers in them! You can put votives in a bed of rock salt in them! You can put cookies in them! Or. . . you can turn them upside down and make them into tiny cake pedestals!

WHY DOES THIS WOMAN WANT TO TURN EVERYTHING INTO CAKE PEDESTALS???? Except, of course, cake pedestals, which, as you may recall, she wants you to keep your sponges on.

Next, votives and shot glasses!
Because you know you were wondering what to do with all those votive holders now that you're using your wine glasses as votive holders. Well, the first thing you can do with them is. . . use them as votive holders. But wait! You're going to dress them up by tying ribbon around them! And the second thing you can do with votive holders is. . . use them as votive holders.

SIGH.

But this time you're supposed to frost them with metallic glitter. Anyway, the third thing you can do is use them as "Ornament Toppers," which means you fill them with beads then top each one with an ornament.

This makes no sense. In the first place, why? And in the second place, if the glass is an "Ornament Topper," shouldn't the glass be on TOP of the Ornament? In this scenario, the ornament is a glass topper, not vice-versa.

Anyway, you can also use them as tiny vases. Meh.

17) When Girls Gather. . . make them a "snowy coconut" cotail involving vanilla flavored candy coating, white chocolate Godiva liqueur, half-and-half and coconut rum. Because then maybe they won't notice when you say something lame like "Girlfriends are like glistening snowflakes, dazzling and uniquely made individuals," and then set them to work making "sparkling snowballs" -- Rice Krispie treat balls with candy coating and sparkling sugar.

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They're gathering their most trusted readers? Where's my invitation?

18) In Community tells about Sandra going to visit the Make-a-Wish Foundation to grant the wish of a child named Lisa.

I will go straight to hell if I say anything about this, won't I? The girl has a terminal illness, and she just wanted to meet Sandra Lee. It's sad. On a number of levels.

Look, just prepare the handbasket for me.

Finally we get our 19) Paper Plate recipe for French Dip Sandwiches made from the leftover Beer Brisket au jus. This is probably the first French Dip Sandwich I've ever seen that didn't appeal to me. And I've eaten Arby's French Dip Sandwiches, people. Many times. Arby's. Just put that in your corn-cob pipe and smoke it.